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American rock band

Steely Dan
Steely Dan performing in 2007. Walter Becker (l) playing electric guitar, Donald Fagen (r) playing melodica.

Steely Dan performing in 2007. Walter Becker (l) playing electric guitar, Donald Fagen (r) playing melodica.
Background information
Origin Annandale-on-Hudson, New York, Usa
Genres
  • Jazz rock
  • soft rock [1]
  • pop rock[2]
  • jazz fusion[3]
Years active 1971–1981, 1993–present
Labels
  • ABC
  • MCA
  • Giant
  • Reprise
  • Warner Bros.
Associated acts
  • Jay and the Americans
  • Doobie Brothers
  • New York Rock and Soul Revue
  • Dukes of September Rhythm Revue
  • Toto[four]
  • Larry Carlton
Website steelydan.com
Members Donald Fagen
Past members
  • Walter Becker
  • Jeff Baxter
  • Denny Dias
  • Jim Hodder
  • David Palmer
  • Royce Jones
  • Michael McDonald
  • Jeff Porcaro

Steely Dan is an American rock band founded in 1971 at Bard College in Annandale-on-Hudson, New York by core members Walter Becker (guitars, bass, backing vocals) and Donald Fagen (keyboards, pb vocals). Blending elements of rock, jazz, Latin music, R&B, blues[5] and sophisticated studio product with cryptic and ironic lyrics, the band enjoyed critical and commercial success starting from the early 1970s until breaking up in 1981.[5] Initially the band had a stable lineup, but in 1974, Becker and Fagen retired the band from live performances birthday to become a studio-only band, opting to tape with a revolving bandage of session musicians. Rolling Stone has chosen them "the perfect musical antiheroes for the Seventies".[6]

Afterward the group disbanded in 1981, Becker and Fagen were less agile throughout almost of the next decade, though a cult following[5] remained devoted to the group. Since reuniting in 1993, Steely Dan has toured steadily and released 2 albums of new material, the kickoff of which, Two Against Nature, earned a Grammy Accolade for Album of the Twelvemonth. They take sold more than 40 meg albums worldwide and were inducted into the Rock and Curl Hall of Fame in March 2001.[7] [8] [9] [ten] VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Fourth dimension.[11] Rolling Stone ranked them No. 15 on its list of the xx Greatest Duos of All Fourth dimension.[12] Founding fellow member Walter Becker died on September three, 2017, leaving Fagen as the sole official member.

History [edit]

Formative and early on years (1967–1972) [edit]

Becker and Fagen met in 1967 at Bard College, in Annandale-on-Hudson, New York. As Fagen passed by a café, The Red Airship, he heard Becker practicing the electric guitar."[thirteen] In an interview, Fagen recounted the experience: "I hear this guy practising, and it sounded very professional and gimmicky. It sounded similar, you know, like a black person, actually."[13] He introduced himself to Becker and asked, "Practice you lot want to be in a band?"[13] Discovering that they enjoyed similar music, the two began writing songs together.

Becker and Fagen began playing in local groups. Ane such group – known as the Don Fagen Jazz Trio, the Bad Rock Group and later the Leather Canary – included future comedy star Chevy Hunt on drums. They played covers of songs by The Rolling Stones ("Dandelion"), Moby Grape ("Hey Grandma"), and Willie Dixon ("Spoonful"), every bit well equally some original compositions.[xiii] Terence Boylan, another Bard musician, remembered that Fagen took readily to the beatnik life while attention college: "They never came out of their room, they stayed upward all night. They looked similar ghosts—black turtlenecks and skin so white that information technology looked similar yogurt. Absolutely no action, chain-smoking Lucky Strikes and dope."[13]

Later on Fagen graduated in 1969, the two moved to Brooklyn and tried to peddle their tunes in the Brill Building in midtown Manhattan. Kenny Vance (of Jay and the Americans), who had a production role in the building, took an interest in their music, which led to piece of work on the soundtrack of the low-budget Richard Pryor pic Y'all've Got to Walk It Like You Talk It or You'll Lose That Crush. Becker later said bluntly, "Nosotros did it for the money."[14] A serial of demos from 1968 to 1971 are available in multiple dissimilar releases, non authorized by Becker and Fagen.[15] This collection features approximately 25 tracks and is notable for its sparse arrangements (Fagen plays solo piano on many songs) and lo-fi product, a contrast with Steely Dan's later work. Although some of these songs ("Caves of Altamira", "Brooklyn", "Barrytown") were re-recorded for Steely Dan albums, nearly were never officially released.

Becker and Fagen joined the touring ring of Jay and the Americans for most a year and a half.[16] They were at first paid $100 per prove, but partway through their tenure the band's tour manager cutting their salaries in half.[16] The grouping's pb singer, Jay Blackness, dubbed Becker and Fagen "the Manson and Starkweather of stone 'n' curl", referring to cult leader Charles Manson and spree killer Charles Starkweather.[16]

They had little success afterward moving to Brooklyn, although Barbra Streisand recorded their vocal "I Mean To Shine" on her 1971 Barbra Joan Streisand album. Their fortunes changed when one of Vance's associates, Gary Katz, moved to Los Angeles to become a staff producer for ABC Records. He hired Becker and Fagen every bit staff songwriters; they flew to California. Katz would produce all their 1970s albums in collaboration with engineer Roger Nichols. Nichols would win six Grammy Awards for his work with the band from the 1970s to 2001.[17]

Also realizing that their songs were besides complex for other ABC artists, at Katz's suggestion Becker and Fagen formed their own band with guitarists Denny Dias and Jeff "Skunk" Baxter, drummer Jim Hodder and vocalizer David Palmer, and Katz signed them to ABC as recording artists. Fans of Shell Generation literature, Fagen and Becker named the band subsequently a "revolutionary" steam-powered dildo mentioned in the William Due south. Burroughs novel Naked Luncheon.[18] [19] [20] Palmer joined as a second lead singer because of Fagen's occasional phase fearfulness, his reluctance to sing in front of an audience, and because the label believed that his vocalisation was non "commercial" plenty.

In 1972, ABC issued Steely Dan's first single, "Dallas", backed with "Sail the Waterway". Distribution of "stock" copies available to the general public was plain extremely limited;[21] the unmarried sold and then poorly that promotional copies are much more readily bachelor than stock copies in today'south collectors market. As of 2015, "Dallas" and "Sail the Waterway" are the only officially released Steely Dan tracks that take non been reissued on cassette or compact disc. In an interview (1995), Becker and Fagen called the songs "stinko."[22] "Dallas" was after covered by Poco on their Caput Over Heels album.

Can't Buy a Thrill and Countdown to Ecstasy (1972–1973) [edit]

Can't Buy a Thrill, Steely Dan's debut album, was released in 1972. Its hit singles "Practice It Again" and "Reelin' In the Years" reached No. 6 and No. eleven respectively on the Billboard singles chart. Along with "Muddy Piece of work" (sung by David Palmer), the songs became staples on radio.

Considering of Fagen's reluctance to sing live, Palmer handled about of the song duties on stage. During the first tour, however, Katz and Becker decided that they preferred Fagen's interpretations of the band'southward songs, persuading him to take over. Palmer quietly left the group while information technology recorded its 2nd album; he later on co-wrote the No. 2 hit "Jazzman" (1974) with Carole King.

Released in 1973, Inaugural to Ecstasy was not as commercially successful as Steely Dan's beginning album. Becker and Fagen were unhappy with some of the performances on the tape and believed that it sold poorly because it had been recorded hastily on bout. The album's singles were "Testify Biz Kids" and "My Quondam School", both of which stayed in the lower half of the Billboard charts (though "My Old School" and—to a bottom extent—"Bodhisattva" became FM Rock staples in fourth dimension).

Pretzel Logic and Katy Lied (1974–1976) [edit]

Guitarist Jeff "Skunk" Baxter left Steely Dan in 1974 when they ceased performing alive and began working in the studio exclusively.

Pretzel Logic was released in early 1974. A diverse set, it includes the group'due south virtually successful unmarried, "Rikki Don't Lose That Number" (No. 4 on the Billboard Hot 100), and a note-for-note rendition of Duke Ellington and James "Bubber" Miley'south "East St. Louis Toodle-Oo".

During the previous album's tour, the ring had added vocalist-percussionist Royce Jones, vocaliser-keyboardist Michael McDonald, and session drummer Jeff Porcaro.[23] Porcaro played the sole drum rail on one song, "Nighttime By Night" on Pretzel Logic (Jim Gordon played drums on all the remaining tracks, and he and Porcaro both played on "Parker'south Ring"), reflecting Steely Dan'southward increasing reliance on session musicians (including Dean Parks and Rick Derringer). Jeff Porcaro and Katy Lied pianist David Paich would go on to form Toto. Striving for perfection, Becker and Fagen sometimes asked musicians to record as many as forty takes of each track.[24]

Pretzel Logic was the first Steely Dan anthology to feature Walter Becker on guitar. "Once I met [session musician] Chuck Rainey", he explained, "I felt there really was no need for me to be bringing my bass guitar to the studio anymore".[24]

A rift began growing between Becker-Fagen and Steely Dan'south other members (particularly Baxter and Hodder), who wanted to tour. Becker and Fagen disliked constant touring and wanted to concentrate solely on writing and recording. The other members gradually left the band, discouraged by this and past their diminishing roles in the studio. All the same, Dias remained with the group until 1980's Gaucho and Michael McDonald contributed vocals until the group's twenty-twelvemonth hiatus after Gaucho. Baxter and McDonald went on to join The Doobie Brothers. Steely Dan's last bout performance was on July v, 1974, a concert at the Santa Monica Civic Auditorium in California.[25]

Becker and Fagen recruited a diverse group of session players for Katy Lied (1975), including Porcaro, Paich, and McDonald, also as guitarist Elliott Randall, jazz saxophonist Phil Woods, saxophonist/bass-guitarist Wilton Felder, percussionist/vibraphonist/keyboardist Victor Feldman, keyboardist (and later producer) Michael Omartian, and guitarist Larry Carlton—Dias, Becker, and Fagen beingness Steely Dan's only original members. The album went gold on the strength of "Black Friday" and "Bad Sneakers", only Becker and Fagen were then dissatisfied with the album's audio (compromised by a faulty DBX dissonance reduction system) that they publicly apologized for it (on the album'south dorsum cover) and for years refused to listen to it in its final form.[26] Katy Lied too included "Doc Wu" and "Chain Lightning".

The Imperial Scam and Aja (1976–1978) [edit]

The Regal Scam was released in May 1976. Partly considering of Carlton's prominent contributions, it is the ring's virtually guitar-oriented album. It also features performances by session drummer Bernard Purdie. The anthology sold well in the U.s.a., though without the strength of a striking single. In the UK the single "Haitian Divorce" (Acme 20) drove anthology sales, becoming Steely Dan'due south starting time major striking at that place.[27] Steely Dan's sixth anthology, the jazz-influenced Aja, was released in September 1977. Aja reached the Top Five in the U.S. charts within three weeks, winning the Grammy award for "Engineer – Best Engineered Recording – Not-Classical." It was too one of the first American LPs to be certified 'platinum' for sales of over 1 million albums.[28] [29]

Roger [Nichols] fabricated those records sound similar they did. He was extraordinary in his willingness and desire to make records audio better.[30]

The records we did could not have been done without Roger. He was just maniacal about making the sound of the records exist what we liked... He e'er thought there was a better way to exercise it, and he would find a style to do what we needed to in means that other people hadn't done yet.[31]

~ Steely Dan producer Gary Katz regarding Roger Nichols' part in the band's recording legacy.

Featuring Michael McDonald's bankroll vocals, "Peg" (No. eleven) was the album's first unmarried, followed by "Josie" (No. 26) and "Deacon Blues" (No. nineteen). Aja solidified Becker'southward and Fagen's reputations as songwriters and studio perfectionists. It features such jazz and fusion luminaries as guitarists Larry Carlton and Lee Ritenour; bassist Chuck Rainey; saxophonists Wayne Shorter, Pete Christlieb, and Tom Scott; drummers Steve Gadd, Rick Marotta and Bernard Purdie; pianist Joe Sample and ex-Miles Davis pianist/vibraphonist Victor Feldman and Grammy award-winning producer/arranger Michael Omartian (piano).

Planning to tour in back up of Aja, Steely Dan assembled a live ring. Rehearsal ended and the tour was canceled when backing musicians began comparing pay.[32] The anthology's history was documented in an episode of the Telly and DVD series Archetype Albums.

After Aja'south success, Becker and Fagen were asked to write the title runway for the pic FM. The pic was a box-office disaster, simply the song was a hit, earning Steely Dan another engineering Grammy award. It was a pocket-sized hit in the Britain and barely missed the Top xx in the U.S.A.[27]

Gaucho and breakdown (1978–1981) [edit]

Becker and Fagen took a intermission from songwriting for near of 1978 earlier starting work on Gaucho. The project would not get smoothly: technical, legal, and personal setbacks delayed the anthology's release and afterward led Becker and Fagen to suspend their partnership for over a decade.[33]

Misfortune struck early when an banana engineer accidentally erased most of "The Second Organisation", a favorite track of Katz and Nichols,[34] which was never recovered. More trouble — this time legal — followed. In March 1979, MCA Records bought ABC, and for much of the next two years Steely Dan could not release an anthology. Becker and Fagen had planned on leaving ABC for Warner Bros. Records, just MCA claimed ownership of their music, preventing them from changing labels.

Turmoil in Becker's personal life also interfered. His girlfriend died of a drug overdose in their Upper West Side apartment, and he was sued for $17 meg. Becker settled out of court, but he was shocked by the accusations and by the tabloid press coverage that followed. Soon after, Becker was struck past a taxi while crossing a Manhattan street, shattering his right leg in several places and forcing him to use crutches.

However more legal trouble was to come up. Jazz composer Keith Jarrett sued Steely Dan for copyright infringement, challenge that they had based Gaucho'southward title rail on one of his compositions, "Long As You Know You're Living Yours" (Fagen later admitted that he'd loved the song and that it had been a stiff influence).[35]

Gaucho was finally released in November 1980. Despite its tortured history, it was another major success. The anthology's beginning unmarried, "Hey Nineteen", reached No. 10 on the pop nautical chart in early on 1981, and "Time Out of Listen" (featuring guitarist Marker Knopfler of Dire Straits) was a moderate hit in the spring. "My Rival" was featured in John Huston's 1980 film Phobia. Roger Nichols won a third applied science Grammy award for his work on the album.

Fourth dimension off (1981–1993) [edit]

Steely Dan disbanded in June 1981.[36] Becker moved to Maui, where he became an "avocado rancher and cocky-styled critic of the contemporary scene."[37] He stopped using drugs, which he had used for most of his career.[38] [39] [twoscore] Meanwhile, Fagen released a solo album, The Nightfly (1982), which went platinum in both the U.S. and the UK and yielded the Peak Twenty hit "I.One thousand.Y. (What a Beautiful World)." In 1988 Fagen wrote the score of Bright Lights, Big City and a song for its soundtrack, simply otherwise recorded petty. He occasionally did production work for other artists, as did Becker. The about prominent of these were two albums Becker produced for the British sophisti-popular grouping Mainland china Crisis, who were strongly influenced by Steely Dan.[41] Becker is listed as an official member of China Crisis on the commencement of these albums, 1985's Flaunt the Imperfection, and played keyboards on the band's Top twenty UK hit "Black Man Ray". For the second of the two albums, 1989's Diary of a Hollow Equus caballus, Becker is only listed as a producer and not as a band fellow member.

In 1986 Becker and Fagen performed on Zazu, an album past former model Rosie Vela produced by Gary Katz.[42] The two rekindled their friendship and held songwriting sessions between 1986 and 1987, leaving the results unfinished.[43] On Oct 23, 1991, Becker attended a concert past New York Rock and Soul Revue, co-founded by Fagen and producer/singer Libby Titus (who was for many years the partner of Levon Helm of The Band and would later on become Fagen's wife), and spontaneously performed with the group.

Becker produced Fagen's second solo anthology, Kamakiriad, in 1993. Fagen conceived the anthology as a sequel to The Nightfly.[ citation needed ]

Reunion, Alive in America (1993–2000) [edit]

Steely Dan, shown hither in 2007, toured frequently after reforming in 1993.

Becker and Fagen reunited for an American tour to support Kamakiriad, which sold poorly despite a Grammy nomination for Album of the Year. With Becker playing lead and rhythm guitar, the pair assembled a band that included a 2d keyboard player, second atomic number 82 guitarist, bassist, drummer, vibraphonist, iii female backing singers, and four-slice saxophone department. Among the musicians from the live ring, several would continue to work with Steely Dan over the next decade, including bassist Tom Barney and saxophone players Cornelius Bumpus and Chris Potter. During this tour, Fagen introduced himself equally "Rick Strauss" and Becker as "Frank Poulenc".

The next year, MCA released Citizen Steely Dan, a boxed set featuring their unabridged catalog (except their debut single "Dallas"/"Sail The Waterway") on four CDs, plus four actress tracks: "Here at the Western Globe" (originally released on 1978's "Greatest Hits"), "FM" (1978 single), a 1971 demo of "Everyone's Gone to the Movies" and "Bodhisattva (live)", the latter recorded on a cassette in 1974 and released as a B-side in 1980. That yr Becker released his debut solo album, eleven Tracks of Whack, which Fagen co-produced.

Steely Dan toured again in support of the boxed fix and Tracks. In 1995 they released a live CD, Live in America, compiled from recordings of several 1993 and 1994 concerts. The Art Crimes Tour followed, including dates in the United States, Japan, and their first European shows in 22 years. After this activity, Becker and Fagen returned to the studio to begin work on a new album.

Two Against Nature and Everything Must Go (2000–2003) [edit]

In 2000 Steely Dan released their get-go studio album in 20 years: Two Against Nature. Information technology won four Grammy Awards: Best Engineered Album – Non-Classical, All-time Popular Vocal Album, Best Pop Functioning by Duo or Group with Vocal ("Cousin Dupree"), and Album of the Year (despite competition in this category from Eminem'due south The Marshall Mathers LP and Radiohead's Kid A). In the summer of 2000, they began another American tour, followed by an international tour later that yr. The tour featured guitarist Jon Herington, who would continue to play with the band over the side by side two decades. The group released the Plush Telly Jazz-Rock Political party DVD, documenting a live-in-the-studio concert performance of popular songs from throughout Steely Dan's career. In March 2001, Steely Dan was inducted into the Rock and Roll Hall of Fame.[seven] [8]

In 2003 Steely Dan released Everything Must Go. In contrast to their earlier piece of work, they had tried to write music that captured a live feel. Becker sang pb vocals on a Steely Dan studio album for the first time ("Slang of Ages" — he had sung lead on his own "Book of Liars" on Alive in America). Fewer session musicians played on Everything Must Go than had get typical of Steely Dan albums: Becker played bass on every rails and lead guitar on five tracks; Fagen added piano, electric piano, organ, synthesizers, and percussion on top of his vocals; touring drummer Keith Carlock played on every rails.

Firing of Roger Nichols [edit]

In 2002 during the recording of Everything Must Go, Becker and Fagen fired their engineer Roger Nichols, who had worked with them for 30 years, without explanation or notification, according to band biographer Brian Sweet's 2018 revision of his book Reelin' in the Years. [44]

Touring, solo activity (2003–2017) [edit]

To complete his Nightfly trilogy, Fagen issued Morph the Cat in 2006. Steely Dan returned to annual touring that yr with the Steelyard "Sugartooth" McDan and The Fab-Originees.com Tour.[45] Despite much fluctuation in membership, the live band featured mainstays Herington, Carlock, bassist Freddie Washington, the horn section of Michael Leonhart, Jim Pugh, Roger Rosenberg, and Walt Weiskopf, and bankroll vocalists Carolyn Leonhart and Cindy Mizelle. The 2007 Heavy Rollers Tour included dates in N America, Europe, Japan, Australia, and New Zealand, making it their most expansive tour.[46]

The smaller Remember Fast Bout followed in 2008, with keyboardist Jim Beard joining the live ring. That year Becker released a second album, Circus Money, produced past Larry Klein and inspired by Jamaican music. In 2009 Steely Dan toured Europe and America extensively in their Left Bank Holiday and Rent Party Tour, alternating betwixt standard one-date concerts at large venues and multi-night theater shows that featured performances of The Royal Scam, Aja, or Gaucho in their entirety on certain nights. The following year, Fagen formed the touring supergroup Dukes of September Rhythm Revue with McDonald, Boz Scaggs, and members of Steely Dan's live ring, whose repertoire included songs by all 3 songwriters. Longtime studio engineer Roger Nichols died of pancreatic cancer on Apr ten, 2011.[47] Steely Dan's Shuffle Diplomacy Bout that twelvemonth included an expanded set list and dates in Australia and New Zealand. Fagen released his fourth album, Sunken Condos, in 2012. It was his first solo release unrelated to the Nightfly trilogy.

The Mood Swings: 8 Miles to Pancake Day Tour began in July 2013 and featured an eight-nighttime run at the Beacon Theatre in New York Metropolis.[48] Jamalot Always After, their 2014 United States bout, ran from July 2 in Portland, Oregon to September twenty in Port Chester, New York.[49] 2015'southward Rockabye Gollie Angel Tour included opening act Elvis Costello and the Imposters and dates at the Coachella Valley Music and Arts Festival. The Dan Who Knew Too Much tour followed in 2016, with Steve Winwood opening. Steely Dan also performed at The Hollywood Basin in Los Angeles with an accompanying orchestra.

The band played its final shows with Becker in 2017. In Apr, they played the 12-date Reelin' In the Chips residency in Las Vegas and Southern California.[fifty] Becker'southward final functioning came on May 27 at the Greenwich Boondocks Party in Greenwich, Connecticut.[51] Due to illness, Becker did not play Steely Dan'south two Classics Eastward and Westward concerts at Dodger Stadium and Citi Field in July.[52] Fagen embarked on a tour that summer with a new backing band, The Nightflyers.

After Becker's death (2017–present) [edit]

Becker died from complications of esophageal cancer on September 3, 2017.[53] In a note released to the media, Fagen remembered his longtime friend and bandmate, and promised to "go along the music nosotros created together alive as long as I can with the Steely Dan ring."[54] Afterwards Becker's death, Steely Dan honored commitments to perform a short N American tour in Oct 2017 and three concert dates in the United Kingdom and Ireland for Bluesfest on a double bill with the Doobie Brothers.[55] The band played its showtime concert following Becker'south death in Thackerville, Oklahoma, on October 13.[55] In tribute to Becker, they performed his solo song "Book of Liars", with Fagen singing the lead vocals, at several concerts on the tour.[56]

Becker's widow and estate sued Fagen later that twelvemonth, arguing that the manor should command l% of the band'south shares.[57] Fagen filed a counter suit, arguing that the band had drawn up plans in 1972 stating that band members leaving the band or dying relinquish shares of the ring'southward output to the surviving members. In December, Fagen said that he would rather have retired the Steely Dan proper noun afterwards Becker's death, and would instead have toured with the current iteration of the group under another name, merely was persuaded non to by promoters for commercial reasons.[58]

In 2018, Steely Dan performed on a summer tour of the United States with The Doobie Brothers every bit co-headliners.[59] The band likewise played a nine-show residency at the Buoy Theatre in New York City that October.[60] In February 2019, the band embarked on a bout of Britain with Steve Winwood.[61] Guitarist Connor Kennedy of The Nightflyers joined the live band, beginning with a nine-night residency at The Venetian Resort in Las Vegas in April 2019.[62]

Musical and lyrical style [edit]

Music [edit]

Overall sound [edit]

Special attention is given to the private audio of each musical instrument. Recording is done with the utmost fidelity and attending to sonic detail, and mixed and so that all the instruments are heard and none are given undue priority. Their albums are also notable for the characteristically 'warm' and 'dry' production sound, and the sparing use of echo and reverberation.

Backing vocals [edit]

Becker and Fagen favored a distinctly soul-influenced style of backing vocals, which subsequently the first few albums were almost always performed by a female chorus (although Michael McDonald features prominently on several tracks, including the 1975 song "Black Friday" and the 1977 song "Peg"). Venetta Fields, Sherlie Matthews and Clydie King were the preferred trio for backing vocals on the grouping'southward belatedly 1970s albums.[63] Other bankroll vocalists include Timothy B. Schmit, Tawatha Agee, Carolyn Leonhart, Janice Pendarvis, and Catherine Russell.[ citation needed ] The ring also featured singers similar Patti Austin and Valerie Simpson on after projects such every bit Gaucho.[ commendation needed ]

Horns [edit]

Horn arrangements have been used on songs from all Steely Dan albums. They typically feature instruments such as trumpets, trombones and saxophones, although they have also used other instruments such as flutes and clarinets. The horn parts occasionally integrate simple synth lines to alter the tone quality of individual horn lines; for example in "Deacon Dejection" this was done to "thicken" one of the saxophone lines. On their earlier albums Steely Dan featured guest arrangers and on their subsequently albums the arrangement work is credited to Fagen.

Limerick and chord use [edit]

Steely Dan is famous for their utilize of chord sequences and harmonies that explore the area of musical tension betwixt traditional pop sounds and jazz. In particular, they are known for their utilise of the add 2 chord, a blazon of added tone chord, which they nicknamed the "mu major". The mu major chord differs from a suspended second (sus2) chord, equally suspended chords do not incorporate the major (or small-scale) third.[64] [65] [66] In a 1989 interview, Walter Becker explained that the use of the chord developed from trying to enrich the sound of a major chord without making information technology into a "jazz chord".[67] In the Steely Dan Songbook, Becker and Donald Fagen land that "inversions of the mu major may exist formed in the usual manner with ane caveat: the voicing of the second and third scale tones, which is the essence of the chord's appeal, should ever occur as a whole tone noise."[68] Other common chords used by Steely Dan include slash chords.[ citation needed ]

Lyrics [edit]

Steely Dan's lyrical subjects are diverse, simply in their bones arroyo they often create fictional personae that participate in a narrative or situation. The duo have said that in hindsight, most of their albums take a "experience" of either Los Angeles or New York Metropolis, the 2 main cities where Becker and Fagen lived and worked. Characters appear in their songs that evoke these cities. Steely Dan'south lyrics are oftentimes puzzling to the listener,[69] with the truthful meaning of the vocal "uncoded" through repeated listening, and a richer understanding of the references within the lyrics. In the song "Anybody's Gone to the Movies," the line "I know you're used to 16 or more, sorry we only accept eight" refers non to the count of some article, only to 8 mm motion picture, which was lower quality than 16 mm or larger formats and often used for pornography, underscoring the illicitness of Mr. LaPage'southward flick parties.[seventy]

Thematically, Steely Dan creates a universe peopled past losers, creeps and failed dreamers, often victims of their own obsessions and delusions. These motifs are introduced in the Dan'south offset striking song, "Do It Once again," which contains a description of a murderous cowboy who beats the gallows, a human being taken advantage of by a cheating girlfriend, and an obsessive gambler, all of whom are unable to command their own destinies; similar themes of being trapped in a death spiral of 1's own making appear throughout their itemize. Other themes that they explore include prejudice, aging, poverty, and middle-class ennui.

Many would contend that Steely Dan never wrote a genuine beloved song, instead dealing with personal passion in the guise of a destructive obsession.[71] Many of their songs concern love, but typical of Steely Dan songs is an ironic or disturbing twist in the lyrics that reveals a darker reality. For instance, expressed "dearest" is really about prostitution ("Pearl of the Quarter"), incest ("Cousin Dupree"), pornography ("Anybody'southward Gone to the Movies"), or another socially unacceptable subject.[72] Notwithstanding, some of their demo-era recordings bear witness Fagen and Becker expressing romance, including "This Seat'southward Been Taken", "Oh, Wow, Information technology's Y'all" and "Come Back Baby".

Steely Dan's lyrics comprise subtle and encoded references, unusual (and sometimes original) slang expressions, a wide variety of "give-and-take games." The obscure and sometimes teasing lyrics have given ascension to considerable efforts past fans to explain the "inner meaning" of certain songs.[73] [74] Jazz is a recurring theme, and there are numerous other film, television and literary references and allusions, such equally "Dwelling at Terminal" (from Aja), which was inspired by Homer's Odyssey.[75]

Some of their lyrics are notable for their unusual meter patterns; a prime instance of this is their 1972 hit "Reelin' In the Years", which crams an unusually big number of words into each line, giving it a highly syncopated quality.

"Proper name dropping" is some other Steely Dan lyrical device; references to real places and people abound in their songs. The song "My Old School" is an example, referring to Annandale (Annandale-on-Hudson, New York, is home to Bard Higher, which both attended and where they met), and the 2 Against Nature album (2000) contains numerous references to the duo's original region, the New York metro area, including the district of Gramercy Park, the Strand Bookstore, and the upscale nutrient store Dean & DeLuca. In the song "Glamour Profession" the determination of a drug deal is celebrated with dumplings at Mr. Chow, a Chinese restaurant in Beverly Hills. The ring even employed self-reference; in the song "Show Biz Kids," the titular subjects are sardonically portrayed as owning "the Steely Dan T-shirt."

The band also often proper noun-checks drinks, typically alcoholic, in their songs: rum and cokes ("Daddy Don't Alive in That New York City No More"), piña coladas ("Bad Sneakers"), zombies ("Haitian Divorce"), black cows ("Black Cow"), Scotch whisky ("Deacon Blues"), retsina ("Home at Concluding"), grapefruit wine ("FM"), blood-red wine ("Time Out of Mind"), Cuervo Golden ("Hey Nineteen"), kirschwasser ("Babylon Sisters"), Tanqueray ("Lunch with Gina"), Cuban breeze (Fagen's solo track "The Goodbye Look"), and margaritas ("Everything Must Go") are all mentioned in Steely Dan lyrics.[76]

Members [edit]

Current members

  • Donald Fagen – atomic number 82 vocals, keyboards, saxophone (1972–1981, 1993–nowadays)

One-time members

  • Walter Becker – guitar, bass, backing and lead vocals (1972–1981, 1993–2017; his death)
  • Jeff "Skunk" Baxter – guitar, backing vocals (1972–1974)
  • Denny Dias – guitar (1972–1974, studio contributions until 1977)
  • Jim Hodder – drums, backing and lead vocals (1972–1974; died 1990)
  • David Palmer – backing and pb vocals (1972–1973)
  • Royce Jones – backing vocals, percussion (1973–1974)
  • Michael McDonald – keyboards, backing vocals (1974, studio contributions until 1980)
  • Jeff Porcaro – drums (1974, studio contributions until 1980; died 1992)

Timeline [edit]

Discography [edit]

Studio albums

  • Can't Purchase a Thrill (1972)
  • Countdown to Ecstasy (1973)
  • Pretzel Logic (1974)
  • Katy Lied (1975)
  • The Royal Scam (1976)
  • Aja (1977)
  • Gaucho (1980)
  • Two Confronting Nature (2000)
  • Everything Must Get (2003)

See as well [edit]

  • List of songwriter tandems

References [edit]

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External links [edit]

  • Official website Edit this at Wikidata

jessopscrepativen1988.blogspot.com

Source: https://en.wikipedia.org/wiki/Steely_Dan

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